As the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
Art songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
An arrangement of this classic aria from the 24 Italian Art songs collection.
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
This piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
Between 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
Journey is inspired by the following poem: Life is a Journey From once proximal end to other.
Commissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
Swing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
This piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
Orchestral
The theme that he and his librettist have chosen — acceptance of same-sex marriage within the black church — is a challenging one.
Solo Works
"The second is equally important: 'Love your neighbor as yourself.' No other commandment is greater than these." Mark 12:31 NLT
Choral
Let America be America again.
Chamber Music
These are my feelings on the crimes of BOTH the oppressor and the oppressed in Baltimore and throughout the country.
Film
Score for the First Runner Up for the Marvin Hamlisch Film Scoring Contest
Orchestral
As the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
Solo Voice
Art songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
Solo Voice
An arrangement of this classic aria from the 24 Italian Art songs collection.
Solo Voice
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
Electronic
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
Choral
An original composition using the Sanctus from the Latin Mass.
Opera
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
Solo Works
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
Solo Works
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
Small Ensemble
As young boy, I worked with my grandfather during the summers paving driveways in Rocky Mount, Virginia. He was a task master. Things had to be done the right way and with haste when he asked for it in his own playful way.
Small Ensemble
Journey is inspired by the following poem: Life is a Journey From once proximal end to other.
Small Ensemble
This piece is an artistic reflection dedicated to those who have been murdered wrongfully by an oppressive power; namely Trayvon Martin, Eric Garner and Michael Brown.
Small Ensemble
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
Small Ensemble
This piece was inspired by an interview with Oprah Winfrey
Small Ensemble
Commissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
Small Ensemble
Between 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
Small Ensemble
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
Large Ensemble
“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
Large Ensemble
This piece traces the evolution of black people in America through the lens of the black woman.
Large Ensemble
Swing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
Large Ensemble
This piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
Large Ensemble
My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Large Ensemble
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Large Ensemble
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
Large Ensemble
This piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.
Film
Film
Marvin Hamlisch Film Scoring Contest WINNER
Electronic
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
Opera
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
Solo Works
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
Small Ensemble
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
Large Ensemble
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Large Ensemble
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
Electronic
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
Opera
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
Solo Works
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
Small Ensemble
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
Large Ensemble
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Large Ensemble
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
The theme that he and his librettist have chosen — acceptance of same-sex marriage within the black church — is a challenging one.
"The second is equally important: 'Love your neighbor as yourself.' No other commandment is greater than these." Mark 12:31 NLT
Let America be America again.
These are my feelings on the crimes of BOTH the oppressor and the oppressed in Baltimore and throughout the country.
Score for the First Runner Up for the Marvin Hamlisch Film Scoring Contest
As the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
Art songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
An arrangement of this classic aria from the 24 Italian Art songs collection.
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
An original composition using the Sanctus from the Latin Mass.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
As young boy, I worked with my grandfather during the summers paving driveways in Rocky Mount, Virginia. He was a task master. Things had to be done the right way and with haste when he asked for it in his own playful way.
Journey is inspired by the following poem: Life is a Journey From once proximal end to other.
This piece is an artistic reflection dedicated to those who have been murdered wrongfully by an oppressive power; namely Trayvon Martin, Eric Garner and Michael Brown.
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
This piece was inspired by an interview with Oprah Winfrey
Commissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
Between 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
This piece traces the evolution of black people in America through the lens of the black woman.
Swing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
This piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
This piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.
Marvin Hamlisch Film Scoring Contest WINNER
The theme that he and his librettist have chosen — acceptance of same-sex marriage within the black church — is a challenging one.
"The second is equally important: 'Love your neighbor as yourself.' No other commandment is greater than these." Mark 12:31 NLT
Let America be America again.
These are my feelings on the crimes of BOTH the oppressor and the oppressed in Baltimore and throughout the country.
Film Cue with Middle Eastern influence.
Score for the First Runner Up for the Marvin Hamlisch Film Scoring Contest
Feeling 70's Funky...
A mellow jazz composition...
Hymn Arrangement of Sweet Hour of Prayer
As the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
Art songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
text by Langston Hughes
An arrangement of this classic aria from the 24 Italian Art songs collection.
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
An original composition using the Sanctus from the Latin Mass.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
As young boy, I worked with my grandfather during the summers paving driveways in Rocky Mount, Virginia. He was a task master. Things had to be done the right way and with haste when he asked for it in his own playful way.
Journey is inspired by the following poem: Life is a Journey From once proximal end to other.
This piece is an artistic reflection dedicated to those who have been murdered wrongfully by an oppressive power; namely Trayvon Martin, Eric Garner and Michael Brown.
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
This piece was inspired by an interview with Oprah Winfrey
Commissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
Between 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
This piece traces the evolution of black people in America through the lens of the black woman.
Swing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
This piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
This piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.
Marvin Hamlisch Film Scoring Contest WINNER
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
The theme that he and his librettist have chosen — acceptance of same-sex marriage within the black church — is a challenging one.
see more"The second is equally important: 'Love your neighbor as yourself.' No other commandment is greater than these." Mark 12:31 NLT
see moreLet America be America again.
see moreThese are my feelings on the crimes of BOTH the oppressor and the oppressed in Baltimore and throughout the country.
see moreScore for the First Runner Up for the Marvin Hamlisch Film Scoring Contest
see moreAs the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
see moreArt songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
see moreAn arrangement of this classic aria from the 24 Italian Art songs collection.
see moreThese words were written in 1922 at a time when African American were making progress in a severely hostile American society.
see moreMy patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
see moreAn original composition using the Sanctus from the Latin Mass.
see moreThe uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
see moreBill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
see moreThe pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
see moreAs young boy, I worked with my grandfather during the summers paving driveways in Rocky Mount, Virginia. He was a task master. Things had to be done the right way and with haste when he asked for it in his own playful way.
see moreJourney is inspired by the following poem: Life is a Journey From once proximal end to other.
see moreThis piece is an artistic reflection dedicated to those who have been murdered wrongfully by an oppressive power; namely Trayvon Martin, Eric Garner and Michael Brown.
see moreAs the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
see moreThis piece was inspired by an interview with Oprah Winfrey
see moreCommissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
see moreBetween 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
see moreThe pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
see more“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
see moreThis piece traces the evolution of black people in America through the lens of the black woman.
see moreSwing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
see moreThis piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
see moreMy intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
see moreThis piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
see moreThis piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
see moreThis piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.
see moreMarvin Hamlisch Film Scoring Contest WINNER
see moreAs the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
Marvin Hamlisch Film Scoring Contest WINNER
The theme that he and his librettist have chosen — acceptance of same-sex marriage within the black church — is a challenging one.
An original composition using the Sanctus from the Latin Mass.
Art songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
This piece is an artistic reflection dedicated to those who have been murdered wrongfully by an oppressive power; namely Trayvon Martin, Eric Garner and Michael Brown.
This piece was inspired by an interview with Oprah Winfrey
These are my feelings on the crimes of BOTH the oppressor and the oppressed in Baltimore and throughout the country.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
As young boy, I worked with my grandfather during the summers paving driveways in Rocky Mount, Virginia. He was a task master. Things had to be done the right way and with haste when he asked for it in his own playful way.
As the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
Score for the First Runner Up for the Marvin Hamlisch Film Scoring Contest
"The second is equally important: 'Love your neighbor as yourself.' No other commandment is greater than these." Mark 12:31 NLT
My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece traces the evolution of black people in America through the lens of the black woman.
“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
An arrangement of this classic aria from the 24 Italian Art songs collection.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
Swing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
Let America be America again.
This piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
Between 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
Journey is inspired by the following poem: Life is a Journey From once proximal end to other.
Commissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
This piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.
As the son of a Pentecostal preacher, no other memory stands out more than being a part of a “tarrying service”. The “tarry service”, usually on Friday nights, was for those members (mostly teenagers) who had not received the gift of the Holy Spirit.
Marvin Hamlisch Film Scoring Contest WINNER
The theme that he and his librettist have chosen — acceptance of same-sex marriage within the black church — is a challenging one.
An original composition using the Sanctus from the Latin Mass.
Art songs have long been an interest of mine. The vocal works of Maurice Ravel, Richard Strauss and Arnold Schoenberg have always seem to ignite my passion for composing music
This piece is an artistic reflection dedicated to those who have been murdered wrongfully by an oppressive power; namely Trayvon Martin, Eric Garner and Michael Brown.
This piece was inspired by an interview with Oprah Winfrey
These are my feelings on the crimes of BOTH the oppressor and the oppressed in Baltimore and throughout the country.
My patriarchal heritage shows three generations of preachers. My great grand father, Bishop Henry C. Brooks, who began preaching in 1925, my grandfather, Bishop Charles W. Hairston in 1947 and my father Bishop Carlos O. Simon, Sr. in 1994. I chose to use audio clips from past sermons after discovering old LP and several old cassette tapes of sermons from my great grandfather and grandfather.
As young boy, I worked with my grandfather during the summers paving driveways in Rocky Mount, Virginia. He was a task master. Things had to be done the right way and with haste when he asked for it in his own playful way.
As the son of a preacher, I grew up hearing and learning about the mystic and powerful stories of the bible. The story of the ten plagues of Egypt was one particular story that created compelling imagery.
Score for the First Runner Up for the Marvin Hamlisch Film Scoring Contest
"The second is equally important: 'Love your neighbor as yourself.' No other commandment is greater than these." Mark 12:31 NLT
My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
This piece traces the evolution of black people in America through the lens of the black woman.
“The Block” is a short orchestral study based on the late visual art of Romare Bearden. Most of Bearden’s work reflects African-American culture in urban cities as well as the rural American south.
An arrangement of this classic aria from the 24 Italian Art songs collection.
This piece pays homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination.
Bill Traylor was born a slave in Alabama in 1853 and died in 1949. He lived long enough to see the United States of America go through many social and political changes. He was an eyewitness to the Civil War, Emancipation, Reconstruction, Jim Crow segregation and the Great Migration.
Swing Low, Sweet Chariot is perhaps one of the most well known African American spirituals. As beautiful and rapturing as its melody is, it should be.
These words were written in 1922 at a time when African American were making progress in a severely hostile American society.
Let America be America again.
This piece is inspired by Emma Lazarus’ gentle, welcoming words in her poem, “New Colossus”. Lush, bright harmonies in the strings are used to represent hope and unity.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
The pandemic of COVID-19 has continued to influence my social, professional and personal life in ways that I never imagined.
Between 1916 and 1970, the mass exodus of African-Americans leaving the rural South, seeking homes in the urban West, Midwest, and Northeast became known as the Great Migration.
Journey is inspired by the following poem: Life is a Journey From once proximal end to other.
Commissioned by the Gabriela Lena Frank Music Academy in response to the COVID 19 pandemic.
The uncles arrive in Chicago after dark at their sister’s apartment to pick up their niece Conchetta. Big city music. Conchetta is thrilled to go “home” to see her relatives—her grandmother, her aunts, her “play aunts.” She sings about the rough world of the big city and longs for the small town life in Tennessee.
This piece was inspired by a journal entry from Ludvig van Beethoven’s notebook written in 1815: “Iliad. The Twenty-Second Book But Fate now conquers; I am hers; and yet not she shall share In my renown; that life is left to every noble spirit And that some great deed shall beget that all lives shall inherit.”
This piece explores African American folklore as well as Afrofuturists stories. This work is commissioned by the Sphinx Organization for its 25th Anniversary and the University of Michigan Symphony Orchestra.